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Regards idéographiques sur la France et la langue française dans l’écriture transculturelle de Shan Sa
| Summary: | At beginning of XX century the passion for « chinoiserie » throughout French poets has undoubtedly furnish a fake image about Easter lands behind the notion of « Orientalism » forged by Said. Actually, France and French language as country and language of adoption seem to rise up a new idea of Europe in francophone writers and artists. We can mention for example the new literary perspectives including in Chinese-francophone writers such as François Cheng, Dai Sijie, Shan Sa who are very much involved in offering to European readers a new idea of China. However theirs works contributes to develop a new idea of Europe in the world. In this paper we focuses about Chinese- francophone writing as way to light on an “exotic” image of Europe. |
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| Subject: | écriture franco-chinoise Transculturalisme Chinese-francophone writing transcultural studies sémiotique semiotic-Orientalism Orientalisme Shan Sa |
| Country: | Portugal |
| Document type: | journal article |
| Access type: | Open |
| Associated institution: | Carnets, Revista Electrónica de Estudos Franceses |
| Language: | French |
| Origin: | Carnets, Revista Electrónica de Estudos Franceses |
| Summary: | At beginning of XX century the passion for « chinoiserie » throughout French poets has undoubtedly furnish a fake image about Easter lands behind the notion of « Orientalism » forged by Said. Actually, France and French language as country and language of adoption seem to rise up a new idea of Europe in francophone writers and artists. We can mention for example the new literary perspectives including in Chinese-francophone writers such as François Cheng, Dai Sijie, Shan Sa who are very much involved in offering to European readers a new idea of China. However theirs works contributes to develop a new idea of Europe in the world. In this paper we focuses about Chinese- francophone writing as way to light on an “exotic” image of Europe. |
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