Publicação
Pour un chien jaune
| Resumo: | This article is dedicated to the study, in the history of cinema and through selected examples (De Sica, Hawks, DeMille, Kim Ki-Duk, Tarkovsky, Ozu), of the ways in which the filmic mightness can seize the joint representation of man and dog. Three categories will stand out in particular: 1 / the "anthropological" dog associated with human virtues or vices and symbolizing a distinctive moral state of mankind; 2 / the "anthropomorphological" dog qua a symptom of the human body as an animal and pathic body; 3 / the "anthropocephalic" dog, the man like a dog with a man's head, which culminates in the canine qualification of the camera. These categories, obviously permeable to each other, intend to draw a first aesthetic access to the symbiotic representation of the human species and the animal. |
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| Assunto: | « anthropocéphalie » figuration « image canine » « dog image » cinema cinéma anthropocephalia » figurative art aesthetics esthétique |
| País: | Portugal |
| Tipo de documento: | journal article |
| Tipo de acesso: | Aberto |
| Instituição associada: | Carnets, Revista Electrónica de Estudos Franceses |
| Idioma: | francês |
| Origem: | Carnets, Revista Electrónica de Estudos Franceses |
| Resumo: | This article is dedicated to the study, in the history of cinema and through selected examples (De Sica, Hawks, DeMille, Kim Ki-Duk, Tarkovsky, Ozu), of the ways in which the filmic mightness can seize the joint representation of man and dog. Three categories will stand out in particular: 1 / the "anthropological" dog associated with human virtues or vices and symbolizing a distinctive moral state of mankind; 2 / the "anthropomorphological" dog qua a symptom of the human body as an animal and pathic body; 3 / the "anthropocephalic" dog, the man like a dog with a man's head, which culminates in the canine qualification of the camera. These categories, obviously permeable to each other, intend to draw a first aesthetic access to the symbiotic representation of the human species and the animal. |
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