| Resumo: | Sociology and arts have theoretical and social relations, which are possible, necessary and visible in scientific, organizational and community fields. The circularity between artistic projects, social actors and territories is an analytical and social sustainable assumption, directed to speeches and social inclusion practices. Our aim is confronting advantages and limits of observations methodological experiences about these parameters in relationship. The observations around PELEs work, with local communities in action (theatre projects in prisons), brings questions and results to discussion. |
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