Detalhes bibliográficos
| Resumo: | The theatrical work of Valere Novarina is a language that turns you upside down. Plural and jubilant, his art of writing operates as a real craft of the unheard of "the organ of language [that] is the hand." An equilibrium favoring the efficiency of a poetics of the indeterminate, which is related to the phenomenal fruitfulness of the Word as initiated by the theologians of the Middle Ages. A word that can also be related to valery - the language so "difficult" that the poet himself ignores learning - and Hebrew writing, which have in common to offer his reader "empty" to fill, [gaps] to fill for the sound as for the sense ", the whole working to the transfiguration of" deficiencies "of the language in" riches of the poem ". The Novarin language springs up and revives like a fluid acting the actors' bodies in infinite reconfigurations of the human figure. We propose here to observe some passages. |
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| Assunto: | réception théâtrale corps de l'acteur théologie médiévale medieval theology Novarina (Valère) theatrical reception actor's body dramatic writing écriture dramatique |
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| País: | Portugal |
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| Tipo de documento: | journal article |
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| Tipo de acesso: | Aberto |
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| Instituição associada: | Carnets, Revista Electrónica de Estudos Franceses |
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| Idioma: | francês |
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| Origem: | Carnets, Revista Electrónica de Estudos Franceses |
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