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Les pérégrinations littéraires de João Botelho : de Fernando Pessoa à la comtesse de Ségur (Allers et retours)

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Summary:João Botelho is the creator of a singular filmography built upon the dialogue with Literature and its authors, ever since the programmatic and seminal The Other One (Conversa Acabada, 1981), depicting the connection between Fernando Pessoa and Mário de Sá-Carneiro, to Um Filme em Forma de Assim (2022), a feature film about Alexandre O’Neill. 2025 should see the premiere of As Meninas Exemplares, adaptation of Sophie’s Misfortunes, by the Countess of Ségur. Bold and masterful, the film-maker has adapted literary classics such as in O Fatalista (2005), from Diderot’s Jacques the Fatalist, The Maias. Scenes from Romantic life (Os Maias. Cenas da vida romântica, 2014), from the novel by Eça de Queirós, or Peregrinação (2017), based on the works by Fernão Mendes Pinto and Deana Barroqueiro. In its first part, the paper analyzes João Botelho’s revisitation of some French Literature classics, an act that combines homage and parody. The second part revisits Botelho’s main pilgrimages to the Portuguese Literature. In its third and final part, the paper offers a reading of the three feature films dedicated to Fernando Pessoa’s universe, namely The Other One, Disquiet (Filme do Desassossego, 2010) and The year of the death of Ricardo Reis (O ano da morte de Ricardo Reis, 2020).
Subject:adaptations [d’œuvres littéraires] littérature portugaise Botelho (João) portuguese cinema french literature portuguese literature littérature française cinéma portugais literary adaptation
Country:Portugal
Document type:journal article
Access type:Open
Associated institution:Carnets, Revista Electrónica de Estudos Franceses
Language:French
Origin:Carnets, Revista Electrónica de Estudos Franceses
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conditionsOfAccess_str open access
country_str PT
description João Botelho is the creator of a singular filmography built upon the dialogue with Literature and its authors, ever since the programmatic and seminal The Other One (Conversa Acabada, 1981), depicting the connection between Fernando Pessoa and Mário de Sá-Carneiro, to Um Filme em Forma de Assim (2022), a feature film about Alexandre O’Neill. 2025 should see the premiere of As Meninas Exemplares, adaptation of Sophie’s Misfortunes, by the Countess of Ségur. Bold and masterful, the film-maker has adapted literary classics such as in O Fatalista (2005), from Diderot’s Jacques the Fatalist, The Maias. Scenes from Romantic life (Os Maias. Cenas da vida romântica, 2014), from the novel by Eça de Queirós, or Peregrinação (2017), based on the works by Fernão Mendes Pinto and Deana Barroqueiro. In its first part, the paper analyzes João Botelho’s revisitation of some French Literature classics, an act that combines homage and parody. The second part revisits Botelho’s main pilgrimages to the Portuguese Literature. In its third and final part, the paper offers a reading of the three feature films dedicated to Fernando Pessoa’s universe, namely The Other One, Disquiet (Filme do Desassossego, 2010) and The year of the death of Ricardo Reis (O ano da morte de Ricardo Reis, 2020).
documentTypeURL_str http://purl.org/coar/resource_type/c_6501
documentType_str journal article
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identifierDoi_str https://doi.org/10.4000/1414v
language fra
relatedInstitutions_str_mv Carnets, Revista Electrónica de Estudos Franceses
resourceName_str Carnets, Revista Electrónica de Estudos Franceses
spellingShingle Les pérégrinations littéraires de João Botelho : de Fernando Pessoa à la comtesse de Ségur (Allers et retours)
adaptations [d’œuvres littéraires]
littérature portugaise
Botelho (João)
portuguese cinema
french literature
portuguese literature
littérature française
cinéma portugais
literary adaptation
title Les pérégrinations littéraires de João Botelho : de Fernando Pessoa à la comtesse de Ségur (Allers et retours)
topic adaptations [d’œuvres littéraires]
littérature portugaise
Botelho (João)
portuguese cinema
french literature
portuguese literature
littérature française
cinéma portugais
literary adaptation