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Le chant novarinien en voix-poème : vers la justesse de l’oralité
| Resumo: | Many of the theatre performances written and directed by playwright Valère Novarina feature songs performed by actors who are not singers. It is not a question for these actors of “singing well” nor of “singing in tune” but of “just singing” and thus working on orality. An orality that seems constitutive of the game of the Novarinian actor, when his singular way of singing joins the accuracy of the sharing of his song and the possibility, for those who listen, to reconnect with their own voice. The voice of the actor then becomes voice-poem, to use Henri Meschonnic here, his oralization makes subject and language, memory. The song, at Novarina, would open on the memory of the subject in the process of saying itself, memory which mixes with history while reintroducing in a burlesque way, within the enclosure of the theater, words from below and popular songs. |
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| Assunto: | oralité théâtre accuracy poetry justesse voice voix dramaturgie dramaturgy theatre orality chant poème singing |
| País: | Portugal |
| Tipo de documento: | journal article |
| Tipo de acesso: | Aberto |
| Instituição associada: | Carnets, Revista Electrónica de Estudos Franceses |
| Idioma: | francês |
| Origem: | Carnets, Revista Electrónica de Estudos Franceses |
| Resumo: | Many of the theatre performances written and directed by playwright Valère Novarina feature songs performed by actors who are not singers. It is not a question for these actors of “singing well” nor of “singing in tune” but of “just singing” and thus working on orality. An orality that seems constitutive of the game of the Novarinian actor, when his singular way of singing joins the accuracy of the sharing of his song and the possibility, for those who listen, to reconnect with their own voice. The voice of the actor then becomes voice-poem, to use Henri Meschonnic here, his oralization makes subject and language, memory. The song, at Novarina, would open on the memory of the subject in the process of saying itself, memory which mixes with history while reintroducing in a burlesque way, within the enclosure of the theater, words from below and popular songs. |
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