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L’ironie dans la fiction documentaire : un renouvellement de l’engagement littéraire ?
| Resumo: | Faced with the ecological emergency, certain contemporary French fictions (including Emmanuelle Pireyre's Féerie générale), to which my own practice-based research and creative writing relate, combine documentary investigation and irony to draw attention to environmental problems. Well aware that facts are never raw but always constructed, these narratives take a critical approach to reality and discourse, making irony a tool of soft power. They take advantage of its axiological dimension to provoke reflection and even action in readers, reversing the idea that irony is a purely formal game, or that it distances literature from ethical or political questions. In doing so, they renew the notion of literary engagement, constituting what I propose to call a form of engagement “dégagé” (disengaged engagement or casual commitment). |
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| Assunto: | irony engagement ecology fiction documentaire documentary commitment écologie ironie french fiction |
| País: | Portugal |
| Tipo de documento: | journal article |
| Tipo de acesso: | Aberto |
| Instituição associada: | Carnets, Revista Electrónica de Estudos Franceses |
| Idioma: | francês |
| Origem: | Carnets, Revista Electrónica de Estudos Franceses |
| _version_ | 1850560642228944896 |
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| conditionsOfAccess_str | open access |
| country_str | PT |
| description | Faced with the ecological emergency, certain contemporary French fictions (including Emmanuelle Pireyre's Féerie générale), to which my own practice-based research and creative writing relate, combine documentary investigation and irony to draw attention to environmental problems. Well aware that facts are never raw but always constructed, these narratives take a critical approach to reality and discourse, making irony a tool of soft power. They take advantage of its axiological dimension to provoke reflection and even action in readers, reversing the idea that irony is a purely formal game, or that it distances literature from ethical or political questions. In doing so, they renew the notion of literary engagement, constituting what I propose to call a form of engagement “dégagé” (disengaged engagement or casual commitment). |
| documentTypeURL_str | http://purl.org/coar/resource_type/c_6501 |
| documentType_str | journal article |
| id | 5782cdbd-3512-4d6a-987c-e901f549808a |
| identifierDoi_str | https://doi.org/10.4000/carnets.13565 |
| language | fra |
| relatedInstitutions_str_mv | Carnets, Revista Electrónica de Estudos Franceses |
| resourceName_str | Carnets, Revista Electrónica de Estudos Franceses |
| spellingShingle | L’ironie dans la fiction documentaire : un renouvellement de l’engagement littéraire ? irony engagement ecology fiction documentaire documentary commitment écologie ironie french fiction |
| title | L’ironie dans la fiction documentaire : un renouvellement de l’engagement littéraire ? |
| topic | irony engagement ecology fiction documentaire documentary commitment écologie ironie french fiction |